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The Beach Boys - Pet Sounds FLAC
Performer:
The Beach Boys
Album:
Pet Sounds
Style:
Psychedelic Rock, Pop Rock, Surf
Released:
1966
Country:
Denmark
Label:
Capitol Records
Catalog:
ST 2458
FLAC size:
2645 mb
MP3 size:
1146 mb
WMA size:
2860 mb


Tracklist


1Caroline No
Written-By – Wilson, Asher
2Sloop John B
Arranged By – Wilson
3You Still Believe In Me
Written-By – Wilson, Asher
4Pet Sounds
Written-By – Wilson
5I'm Waiting For The Day
Written-By – Wilson, Love
6I Just Wasn't Made For These Times
Written-By – Wilson, Asher
7Here Today
Written-By – Wilson, Asher
8Wouldn't It Be Nice
Written-By – Wilson, Asher
9Don't Talk (Put Your Head On My Shoulder)
Written-By – Wilson, Asher
10That's Not Me
Written-By – Wilson, Asher
11Let's Go Away For Awhile
Written-By – Wilson
12God Only Knows
Written-By – Wilson, Asher
13I Know There's An Answer
Written-By – Wilson, Sachen


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
T 2458, T-2458The Beach Boys Pet Sounds ‎(LP, Album, Mono, Los)Capitol Records, Capitol RecordsT 2458, T-2458US1966
T 2458The Beach Boys Pet Sounds ‎(LP, Album, Mono)Capitol RecordsT 2458India1966
T 2458The Beach Boys Pet Sounds ‎(LP, Album, Mono)Capitol RecordsT 2458UK1966
SVLP 149The Beach Boys Pet Sounds ‎(LP, Album, Mono, Ltd, RE, 180)Simply Vinyl, Capitol RecordsSVLP 149UK1999
SW113-2The Beach Boys Pet Sounds ‎(CD, Album, Unofficial)SomeWax RecordingsSW113-2Russia2003
CategoryArtistTitle (Format)LabelCategoryCountryYear
T 2458The Beach Boys Pet Sounds ‎(LP, Album, Mono)Capitol RecordsT 2458India1966
T 2458The Beach Boys Pet Sounds ‎(LP, Album, Mono)Capitol RecordsT 2458UK1966
SVLP 149The Beach Boys Pet Sounds ‎(LP, Album, Mono, Ltd, RE, 180)Simply Vinyl, Capitol RecordsSVLP 149UK1999
SW113-2The Beach Boys Pet Sounds ‎(CD, Album, Unofficial)SomeWax RecordingsSW113-2Russia2003
T 2458, B0024728-01The Beach Boys Pet Sounds ‎(LP, Album, Mono, RE, 50t)Capitol Records, UMe, Capitol Records, UMeT 2458, B0024728-01US2016


Credits


  • Arranged ByB. Wilson (tracks: A7)
  • Cover [Photography]George Jerman
  • Photography By [Liner Photos]Dave Jampel
  • ProducerBrian Wilson
  • Written-ByB. Wilson (tracks: A1 to A6, B), M. Love (tracks: A5), Terry Sachen (tracks: B2), T. Asher (tracks: A1 to A4, B1, B3, B4, B6), Trad. (tracks: A7)
  • Lacquer Cut ByKPG
  • Mastered ByKevin Gray
  • Mixed ByMark Linett
  • Photography By [Cover Photo]George Jerman
  • Photography By [Liner Photos]Dave Jampel
  • Plated ByGary Salstrom
  • ProducerBrian Wilson
  • Producer [Stereo Mix]Mark Linett
  • Supervised By [Supervision Of Stereo Mix]Brian Wilson
  • Written-ByBrian Wilson (tracks: A1 to A6, B1 to B6), Tony Asher (tracks: A1 to A4, B1, B3, B4, B6)
  • Art DirectionTommy Steel
  • Compiled By [Reissue], CoordinatorMark Linett
  • Design [Packaging]Richard Evans
  • Photography ByDave Jampel, George Jerman
  • ProducerBrian Wilson
  • Research [Photo]Brad Benedict
  • Photography By [Cover Photo]George Jerman
  • Photography By [Liner Photos]Dave Jampel
  • ProducerBrian Wilson
  • Written-ByBrian Wilson (tracks: A1 to A6, B1 to B6), Mike Love (tracks: A5), Terry Sachen (tracks: B2), Tony Asher (tracks: A1 to A4, B1, B3, B4, B6)
  • Photography ByDave Jampel, George Jerman
  • ProducerBrian Wilson
  • Photography By [Cover Photo]George Jerman
  • Photography By [Liner Photos]Dave Jampel
  • ProducerBrian Wilson
  • Written-ByBrian Wilson (tracks: A1 to A6, B1 to B6), Tony Asher (tracks: A1 to A4, B1, B3, B4, B6)


Notes


Label Variation, compared to this similar Analogue Productions pressing.

Pet Sounds was mixed from an assembled digital multi-track master that synced the original 4 track master instrumental with the 4 or 8 track vocal overdub master. The stereo mix was mixed to 15 ips 1/4" analog tape with SR noise reduction.'80s or later pressing. Barcode on the back cover. Black labels with silver printing (as opposed to this version).

Original Mono Recording re-channeled here for Stereo Version.

Back cover (at the top) reads:
This album has been digitally re-mastered from an analogue recording.

Back cover (bottom left) reads:
Sleeve printed in England
Manufactured in England
℗ 1966 Original Sound recordings Made by Capitol Records, Inc.
© 1966 Capitol Records, Inc.Originally released on 5/16/66 (Capitol T-2458).

Made in EU. Printed in the EU.

Similar releases:
The Beach Boys - Pet Sounds manufactured by EMI Uden
The Beach Boys - Pet Sounds manufactured by www.imsgroup.itOriginal US mono issue as pressed by: Capitol Records Pressing Plant, Los Angeles
as indicated by an "✻" (Asterisk) stamped in the run-out areas.

Category T 2458 appears on sleeve.
Category T-2458 appears on disc labels.

Black color-band labels. (Note: the text arrangement used on the labels
here, may be slightly different than on other similar versions).

Has the number "6" printed next to the RIAA logo, on the back sleeve; this is the Los Angeles printing plant identifier code.Released on a black/silver Capitol label with rainbow rim and the dome logo at 9 o'clock in a Garrod & Lofthouse: Patents Pending ''flipback'' sleeve.


Barcodes


  • Matrix / Runout: DT1 2458-B20
  • Matrix / Runout: DT2 2458-A19
  • Rights Society: NCB
  • Matrix / Runout (Side A stamped): DT1-2458-A17
  • Matrix / Runout (Side B etched): DT-2-2458-A-13
  • Pressing Plant ID (Stamped in runouts): ✲
  • Matrix / Runout (Runout A etched, Variation 1): T-1-2458-F-27 ✲
  • Matrix / Runout (Runout B etched, Variation 1): T-2-2458-G-28 ✲
  • Matrix / Runout (Runout A etched, Variation 2): T-1-2458-G-30 ✲
  • Matrix / Runout (Runout B etched, Variation 2): T-2-2458-G-30 ✲
  • Matrix / Runout (Runout A etched, Variation 3): T-1-2458-G-28 ✲
  • Matrix / Runout (Runout B etched, Variation 3): T-2-2458-F-27 ✲
  • Matrix / Runout (Runout A etched, Variation 4): T-1-2458-F-29 ✲
  • Matrix / Runout (Runout B etched, Variation 4): T-2-2458-G-26 ✲
  • Matrix / Runout (Runout A etched, Variation 5): T-1-2458-G-30 ✲
  • Matrix / Runout (Runout B etched, Variation 5): T-2-2458-G-28 ✲
  • Matrix / Runout (Runout A etched, Variation 6): T-1-2458-G-26 ✲
  • Matrix / Runout (Runout B etched, Variation 6): T-2-2458-F-25 ✲
  • Matrix / Runout (Label, Side A): T1-2458
  • Matrix / Runout (Label, Side B): T2-2458
  • Matrix / Runout (Etched, Side A): APP-067 ST-2458-A [email protected]
  • Matrix / Runout (Etched, Side B): APP-067 ST-2458-B [email protected]
  • Matrix / Runout (Stamped, Sides A&B): QRP KEVIN GRAY
  • Barcode (Scanned & string - on sticker): 753088006715
  • Barcode (Text - on sticker): 7 53088 00671 5
  • Barcode (Text): 7 24352 73192 3
  • Rights Society: bel/BIEM
  • Label Code: LC0148
  • Other (Distribution Code France): F: PM 520
  • Matrix / Runout (Variant 1): 527319 2 1:1:5 EMI UK
  • Mastering SID Code (Variant 1): IFPI L041
  • Mould SID Code (Variant 1): IFPI 1468
  • Matrix / Runout (Variant 2): 527319 2 1:1:5 EMI UK
  • Mastering SID Code (Variant 2): IFPI L041
  • Mould SID Code (Variant 2): IFPI 1470
  • Matrix / Runout (Stamped Side A): EMS 1179 A-2-1-1
  • Matrix / Runout (Stamped Side B): EMS 1179 B-2C-1-1
  • Barcode: 5099918067316
  • Other (Rear Cover): 18 0673 1


Companies


  • Phonographic Copyright (p) – Capitol Records, Inc.
  • Copyright (c) – Capitol Records, Inc.
  • Manufactured By – EMI Records Ltd.
  • Printed By – EMI Records Ltd.
  • Published By – Rondor Music (London) Ltd.
  • Published By – United Partnership Ltd.
  • Mastered At – Cohearent Audio
  • Lacquer Cut At – Cohearent Audio
  • Pressed By – Quality Record Pressings
  • Manufactured By – Universal Music Enterprises
  • Copyright (c) – Capitol Records, LLC
  • Record Company – EMI
  • Manufactured By – Capitol Records, Inc.
  • Mastered At – Capitol Records Pressing Plant, Los Angeles
  • Pressed By – Capitol Records Pressing Plant, Los Angeles
  • Phonographic Copyright (p) – Capitol Records, Inc.
  • Copyright (c) – Capitol Records, Inc.
  • Marketed By – EMI
  • Distributed By – EMI
  • Pressed By – EMI UK
  • Printed By – Garrod & Lofthouse
  • Manufactured By – Skandinavisk Grammophon Aktieselskab
  • Pressed By – Capitol Records Pressing Plant, Los Angeles


Video



Album


Album: Pet Sounds 1966. The Beach Boys - Don't Talk Put Your Head on My Shoulder. Pet Sounds 1966 - download mp3 or listen online. Hang on to your ego for a total of 27 tracks . It initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 in the Billboard 200, a significantly lower placement than the band's preceding albums. Pet Sounds is the eleventh studio album by American rock band the Beach Boys, released on May 16, 1966. The Beach Boys 1969: I'm Going Your Way - Single. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. 13 tracks 36:00. Most important - you can download the album Pet Sounds to your computer or phone absolutely free of charge, and without registration. Формируйте собственную коллекцию записей The Sounds is the 11th studio album by the American rock band the Beach Boys, released May 16, 1966 on Capitol Records. It initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on Billboard Top LPs chart, lower than the band's preceding albums. The Beach Boys On Tour: 1968 Live. Carl and the Passions - So Tough. Best Party Album in the Philip Oakley, The Supernaturals, The Proclaimers. Capitol Records, Capitol Records. Peek into the fragile and wistful soul of Brian Wilson-and the hopeless, wounded romantic in us all. Brian Wilson's gift to 20th-century music elevated this pop album into a beguiling musical and emotional cogency that still operates outside pop culture's fickle space-time continuum-and limited critical lexicon. Songs in album The Beach Boys - Pet Sounds 1966. Promoted as the most progressive pop album. It initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on Billboard Top LPs chart, lower than the band's preceding albums. This album's resiliency has defied efforts to musically deconstruct it, which is as it should be. 70 Artists That Changed The World. This item:Pet Sounds by The Beach Boys Audio CD . The Beach Boys - That's Not Me. In Stock. Pet Sounds LP, Album. The Beach Boys - You Still Believe In Me. Pet Sounds is the 11th studio album by the American rock band the Beach Boys, released May 16, 1966 on Capitol Records. Psychedelic Pop-Rock Baroque pop. The Beach Boys - Pet Sounds. Продать эту версию. Download each separately, rating. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Pet Sounds 1966 - download the album and listen online. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. The Beach Boys - Don't Talk Put Your Head on My Shoulder. In the United Kingdom, the album was hailed by critics and peaked at number 2 in the UK Top 40 Albums Chart, remaining among the top ten positions for six months. If you need some pointy-headed pundit to sell you on the merits of Pet Sounds, your money might be better spent on an ear specialist. Listen free to The Beach Boys Pet Sounds Wouldn't It Be Nice, You Still Believe in Me and more. Released on May 16, 1966, it initially met a lukewarm critical Beach Boys. Listen album. Released on May 16, 1966, it initially met a lukewarm critical Sounds. The best Beach Boys album, and one of the best of the 1960s. Pet Sounds - The Beach Boys. The Beach Boys - That's Not Me. In the United Kingdom, the album was hailed by its music press and was an immediate commercial success, peaking at number 2 in the UK Top 40 Albums Chart and remaining am. God Only Knows, Wouldn't It Be Nice, and Sloop John B are evergreens in his band's repertoire. Rock 1966. Brian Wilson's 1997 remix of Pet Sounds let's US finally hear this immortal album in stereo. Listen online and stay in a good mood. More by The Beach Boys. To favorites 29 Download album. Good Vibrations Live On The Ed Sullivan Show, October 13, 1968 - Single. DT 2458. The Beach Boys - Wouldn't It Be Nice. Pet Sounds. DT 2458, ST 2458. Журнал Rolling Stone поставил эту пластинку на 2-e место в своём списке пятисот величайших альбомов всех времён 500 Greatest Albums of All Time. Ships from and sold by RAREWAVES-IMPORTS. Songs list. On this page you can listen to the album, get information about the album, see the list of songs and much more. The Beach Boys - Pet Sounds 1966. Wilson and the surviving members of The Beach Boys - Mike Love, Al Jardine, Bruce Johnston and David Marks - guide us through the writing and recording of the landmark album that is consistently voted one of the top three most influential albums of all time. 13 tracks 35:34. The Beach Boys. The Beach Boys - Wouldn't It Be Nice. Формируйте собственную коллекцию записей The Beach Boys. Pet Sounds is the eleventh studio album by the American rock band the Beach Boys. Ищете треки из альбома Pet Sounds исполнителя The Beach Boys Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно

  • DrayLOVE
Is it the greatest pop album of all time? God Only Knows. This is the point where the litany of car and surfing songs disappear, the progressive arrangements and productions hinted at over the last few albums are sharpened, and the scope of the compositions is expanded drastically. In short, everything comes together for a dozen perfect songs that wallow in a cosmic degree of longing, fear and regret. Even the ostensibly “up” singles “Wouldn’t It Be Nice” and “Sloop John B” are depressing, but not as depressing or brilliant as other selections like “I Know There’s an Answer” or “Don’t Talk (Put Your Head On My Shoulder).”
  • AfinaS
Seriously, it’s just Pet Sounds, what are you talking about. Yes, that’s the statement I’ve wanted to make for nearly fifty years now, though I don’t, as I fear the pitchforked mob that would storm my castle late into the night, smash my rather expensive stereo and distribute my precious record collection among themselves.Pet Sounds has taken on mythical attributes that it cannot possibly live up to, yet anyone who dares criticize the release is seen to be without intelligence, without a soul, without the decency to respect what Brian Wilson in the midst of his drugged out haze and mental breakdown had done. I’ll admit, I’ve championed this record many times, cited its credentials, discussed the music, the lyrics and the current of emancipation that supposedly flowed through it. Without a doubt, the influences of this record and the impact it has had on so many listeners, yet alone artists is staggering. Considering that, I never want for an endless grouping of individuals who profess their love for this record, yet when I put them on the spot, I’ve found very few who can name more than two tracks from the record, and surprisingly, most can name none, standing their shuffling their feet, lost in the religious fervor of something they can’t see, can’t touch, and may or may not have ever actually sat down and listened to.Pet Sounds is not complicated, it doesn’t require a master’s degree in music to comprehend, it’s simply more of what Brian Wilson does so well, creating pop songs. The album was disappointing to me when it came out and it still is today … it was disappointing to most people, it didn’t chart well at all. Matter of fact, for all the zealots, Wilson didn’t even write the lyrics, they were penned by TonyAsher (the guy who penned jingles for Barbie dolls, Max Factor cosmetics and Gallo wine), freeing Brian to concentrate on the music, so please, explain how well crafted this record was as a contextual whole. Of course praise and adulation should be expressed for the harmonic arrangements, as well as the vocal arrangements, to those I can find no fault. But … and there’s always a but, I doubt that anyone considering this record has listened to it in its original mono version, after all, mono is how Brian Wilson heard, so the technical advancements of stereo, reprocessing, remastering, surround sound and spacial distribution are all tricks of the speaker trade and have nothing at all to do with this record. So, if you wanna talk to me about Pet Sounds, you better be holding a weathered mono copy in your hand, and don’t try to pull a fast on me, only one of those new mono recordings were taken from the original master tapes.You want me to heap praise? Here goes … Both recorded and released in 1966, this record evolves endlessly with each listen, perhaps the first record to be considered a concept, from beginning to end listeners are immersed in an intense linear personal vision arranged around the vagaries of love affairs, the painful introverted anxieties that are the gut wrenching precipitates of the unstable chemistry for most all emotional relationships, where this trenchant ebbing cycle of love songs blisters forth infused with the impact of a shatteringly evocative novel. What, you didn’t know all that? Or perhaps in knowing such details, the record would take on a much darker form.No one was already for this album, an album that was both soulful and lovely, yet sitting on an undercurrent of despair, which of course gave listeners back in 1966 something profound to consider. As to the album’s sound, it was breathtaking, coming across as if Brian Wilson was no longer walking among us, and for the most part, locked in his room, he wasn’t.This is not a lecture, I simply wanted more Beach Boy singles, and while the album certainly delivered those, “Wouldn’t It Be Nice,” “Sloop John B” and “God Only Knows” the rest of the album was like so many other Beach Boy albums, filled with songs, concepts, desires and visions that I wasn’t interested in, forever leaving me feeling that I wasn’t smart enough, didn’t get it, or just wouldn’t give myself over. But I am smart, I know what I like, and I refuse to be looked down on by those who claim they dig this album, by those who collect first pressings of Frank Zappa, not first editions mind you, but first pressings. So if you want to impress me with facts about this Beach Boy album that isn’t, ‘less of course you’re smart enough to know that Brian Wilson was the Beach Boys, you’ll certainly know that Dennis was the only member to play on any song, and that was “That’s Not Me,” Carl Wilson’s guitar work on “That’s Not Me” and “God Only Knows” were both overdubbed. And of course everyone knows that that weird chatter in the background of “Here Today” was not a mystical message, it was Bruce Johnston having a conversation about cameras. Not counting members of The Beach Boys, in one form or another, there were no less than 62 musicians who had major roles in the production of Pet Sounds, so if in any stretch of the imagination, you can seriously look me in the eye and claim without a sly smile inching across your face that this is a Beach Boy album, then I’ll tell you that I own the stained glass featured on the jacket of Wild Honey, and I’m willing to let you have it at a bargain price.Yes, it’s a good record, but it’s not the Holy Grail or some missing link, nor does it deserve the reverence that surrounds it. If it did, Wilson would have created an endless string of them, but he didn’t, because it just was what it was at that moment in time back in1966, competing with those four lads from Liverpool.Review by Jenell Kesler
  • Danskyleyn
shut the fuck upthanks jenell kesler :) :) :) :)
  • LeXXXuS
Interesting perspective. Thanks for sharing. I particularly enjoy this album because it's nice mix of happiness and sorrow. "I just wasn't made for these times "
  • Phain
What a waste of your time. Uncool to say the least.
  • Stonewing
Good writing but seek psychiatric help or something. no offense intended.
  • Bremar
Hey all, I'm having trouble figuring out which pressing I have, hoping someone might have some insight. It's Duophonic stereo, catalog number DT 2458, has a "3" next to the RIAA logo on the lower right corner of back cover. But here's the thing: I can't find the matrix/runouts in the listings here. Side A is DT-1-2458 A11 and side B is DT-1-2458 A11. The A11 thing makes had me looking somewhere in between the LA pressings but I could find the A11 thing anywhere else. Any help is appreciated, thanks!
  • Eyalanev
Hi,I think it might be a Club release.All the LPs I have (Crystals,and some Philles LPs ) are club releases ans in re-channelled stereo.Hope this helps.
  • Ghile
same here - I could use the help. Side 1 is DT 1-2458 B 12Side 2 is DT 2-2458 B10any help - thanks
  • Cemav
Question: I've got an original 1966 dutch press in a 1966 made in u.s.a. sleeve. Was it originally released like this? catalog number on both sleeve and label is: T 2458
  • Gralmeena
The Japanese 4 X SHM (2016) isnt listed ( UICY-77778) Could someone list please ?
  • Iraraeal
Mine has: the IAM TriangleSide One (stamped)T1-2458-F19 (followed by a very small #2)Side Two (stamped)T2-2458-F19On Side 1 label the titles are not vertically aligned while on Side 2 the titles are vertically aligned. In both cases starting from under the spindle hole.
  • Andromakus
Just picked up my first time ever true STEREO 50th anniversary vinyl copy and it is flawless!!!100% worth the 50 year wait Mark has done an amazing mix rich crisp deep and aliveThe press done by Sony/Artone Holland is also 100% flawless a joy to play and own HQ polyliner thick card sleeve with thick spine. the vinyl is to die for and rainbow labels and text excellent.Only a couple of disappointments!1. Bar Code on the sleeve (a removable sticker would have been better) at least it's small and out the way on the bottom2. The 50th Sticker attached to the cling wrap does NOT peel off.3. An inner booklet with recording notes etc would not have gone a missThe big no no is the limited edition repro Holland EMI-Capitol 7" of God Only Knows/Wouldn't It Be Nice in yellow vinyl that has come out as a tie in/teaser 45 and is discounted when bought with the vinyl album.1. It's in it's drab lacklustre mono mixes why? The Stereo album just puts this sleeve stated "Juke Box" 45 to shame (weren't Seeburg and Wurlitzer Juke Boxes available in Hi-Fi Stereo from 1959!!!!)2. It has a crazy dated and needless LH (Large Hole) 1 1/2" die-cut finish, what's wrong with a 4 prong OC (optional Centre) Dinked Centre ( Didn't EMI-Bovema finally realise the needless USA Large Hole die-cuts and go with Dinked OC centres!)come on UMG do the actual homework, totally give the buyer something new, the tie in single is a massive let down in mono and a pointless waste of £6!!!
  • Vikus
The mono tie-in single is a yellow vinyl re-pro of the EMI-Capitol Italian pressing and sleeve hence the vile labels Capitol Dome/Logo at 9 O'Clock and the crazy LH die-cut. The EMI-Capitol Holland pressings were as per the UK ones and yes with 4 prong Dinked OC (optional centres)
  • Oparae
Found this today at the flea market. I was giggling like a school girl/ trying to keep a straight face.Side 1T1-2458-G18Side 2T2-2458-F19
  • TheMoonix
Adding mine to the listSide One (stamped)T1-2458-G20Side Two (stamped)T2-2458-G22just trying to find more information on this record
  • DarK-LiGht
Referencing The Beach Boys mono T 2548 editions. Mine is an obvious vintage copy but the matrix runouts do not match any of the pressings listed. Both sides (stamped)IAM Triangle (Scranton, PA pressing plant)Side One (stamped)T1-2458-F19Side Two (stamped)T2-2458-F21Just looking for information on this pressing.
  • fire dancer
Mine is similarIAM Triangle both sidesSide One (stamped)T1-2458-F23Side Two (stamped)T2-2458-G22
  • Vivaral
It's a Scranton so-That last part of the run out indicates the mastering-run and the sets of stampers that were used- When you see F and G, that would indicate the disk is from the 1st batches of mono records...
  • Winawel
Finally found one close to where I live. My first and definitely not last Analogue Productions record, worth spending the extra money for the best quality.
Glad to have a well done stereo pressing made by a company that knows what they're doing
  • Tujar
Oh. My. God. Worth the extra $10. Have yet to get an Analogue Productions release that has disappointed in anyway. The dynamics are incredible. Have owned 3 versions of this record, this is my favorite by far.