|1||Strike Me Pink|
Engineer – Roger DudleyProducer – Anne DudleyWritten-By – Anne Dudley, Deborah Harry, Jonathan Bernstein
|2||Dancing Down The Moon|
Engineer [Additional Recordings] – Darrin TidseyEngineer [Basic Tracks] – Michael O'HoraEngineer [Overdubs] – Adam YellinProducer – Chris SteinProducer [Additional], Mixed By [Additional] – Jon AstleyWritten-By – Chris Stein, Deborah Harry
|3||Dog Star Girl|
Engineer [Basic Tracks] – Michael O'HoraEngineer [Overdubs] – Adam YellinProducer – Chris SteinWritten-By – Chris Stein, William Gibson
|4||I Can See Clearly|
Engineer [Drums] – Adam YellinEngineer [Recording Engineer] – Andy Cardenas, Kennan Keating, Louis Scalise, Neil McLellanGuitar – Stuart KimballKeyboards, Programmed By – Arthur Baker, Eric Kupper, Lenny Dee, Nikolai Vorkapich, Steve Rimland, Tony McIlwaineMixed By [Mix Engineer] – Kennan KeatingProducer – Arthur BakerWritten-By – Arthur Baker, Tony McIlwaine
|5||Keep On Going|
Engineer – Darrin TidseyMixed By – Andy MacProducer, Written-By – Jon Astley
Engineer [Basic Tracks] – Michael O'HoraEngineer [Overdubs] – Adam YellinMixed By, Producer [Additional Track & Vocel Production] – Gary Hellman, John LuongoProducer – Chris SteinWritten-By – Allee Willis, Chris Stein, Deborah Harry, Franne Golde
Engineer [Assistant] – Armen Mazlumian, Crystin NavarazEngineer, Programmed By, Mixed By – Bill EssesKeyboards, Arranged By, Programmed By – Toni C.Producer – Toni C.Saxophone – Danny WilenskyWritten-By – Deborah Harry, Toni C.
Engineer [Basic Tracks] – Michael O'HoraEngineer [Overdubs] – Adam YellinProducer – Chris SteinWritten-By – Chris Stein, Deborah Harry
|9||Standing In My Way|
Backing Vocals – Carrie Booth, John Williams Bass – Steve BarnacleEngineer – Geoff FosterEngineer [Mix Engineer] – Glen SkinnerGuitar – Chester KaymenKeyboards – Carrie BoothProducer – John Williams Written-By – Deborah Harry, Leigh Foxx
Backing Vocals – Andy Caine, Katie Kisson, Linda TaylorDrum Programming – Guy Pratt, Richard T. NorrisEngineer – Glen SkinnerGuitar – Guy PrattKeyboards – Danny Schogger, Guy Pratt, Richard T. NorrisProducer – Guy PrattProducer [Additional], Mixed By [Additional] – Chris Lord-AlgeSynth [Synth Drums] – CJ VanstonWritten-By – Deborah Harry, Guy Pratt
Engineer – Roger DudleyGuitar – J.J. BelleProducer – Anne DudleySaxophone – Philip ToddWritten-By – Chris Stein, Deborah Harry
Arranged By – Chris SteinCo-producer – Chris Stein, Jon AstleyEngineer [Additional Recordings] – Darrin TidseyEngineer [Basic Tracks] – Michael O'HoraEngineer [Overdubs] – Adam YellinMixed By – Andy Mac
|0946 3 26033 2 6, cdchr6033||Deborah Harry||Debravation (CD, Album)||Chrysalis, Chrysalis||0946 3 26033 2 6, cdchr6033||UK||1993|
|TC 326033-4||Deborah Harry||Debravation (Cass, Album)||Chrysalis||TC 326033-4||Indonesia||1993|
|TCCHR 6033, TC-CHR 6033, 0946 3 26033 4 0, 3260334||Deborah Harry||Debravation (Cass, Album)||Chrysalis, Chrysalis, Chrysalis, Chrysalis||TCCHR 6033, TC-CHR 6033, 0946 3 26033 4 0, 3260334||UK & Europe||1993|
|TOCP-7840||Deborah Harry||Debravation (CD, Album, Promo)||Chrysalis||TOCP-7840||Japan||1993|
|3260334||Deborah Harry||Debravation (Cass, Album)||Chrysalis||3260334||Australia||1993|
- Art Direction – Dean Chamberlain , Gary Kurfirst
- Backing Vocals – Ian Wilson (tracks: 4, 8, 9), Tessa Niles (tracks: 4, 8)
- Bass – Andy Pask (tracks: 3, 7), Leigh Foxx (tracks: 2, 4, 9, 11, 12)
- Design – Dirk Walter
- Drums – Geoff Dugmore (tracks: 1, 2, 4, 9 to 12)
- Guitar – Michael Hehir (tracks: 4, 8), Pete Min (tracks: 2, 4, 9, 11, 12), Tim Renwick (tracks: 3, 7)
- Guitar, Programmed By – Chris Stein (tracks: 2, 4, 9, 11, 12)
- Keyboards – Anne Dudley (tracks: 3, 7), Steve Piggot (tracks: 4, 9)
- Management – Gary Kurfirst
- Mastered By – Jack Adams
- Percussion – Frank Ricotti (tracks: 3, 7)
- Photography By – Dean Chamberlain
- Synthesizer [Fairlight], Programmed By – Jon Astley (tracks: 4, 8, 9)
Tracks 1 recorded & mixed at Shakedown Sound, Jersey City, NJ (except drums).
Tracks 2, 11 and 12; basic tracks recorded at Red Night Studios, NYC. Overdubs at Electric Lady Studios, NYC. Mixed at Giant Studios, NYC.
Tracks 3 and 7 recorded & mixed at Buffalo Music, Hertfordshire, England.
Tracks 4 and 9; basic tracks recorded at Red Night Studios, NYC. Overdubs at Electric Lady Studios, NYC. Additional recording and mix at Revolution Studios, Manchester, England & Eel Pie Studios, London.
Track 5 recorded at Maison Rouge Studio, London. Additional production and mix at Image Studios, Hollywood, CA.
Track 6 recorded in Toni C.'s living room & Soundtrack Studios, NYC.
Track 8 recorded and mixed at Revolution Studios, Manchester, England.
Track 10 recorded at Air Studios, London. Mixed at Townhouse Studios, London.
Mastered at The Townhouse, London.
℗ 1993 the copyright in this sound recording is owned by chrysalis records ltd. © 1993 chrysalis records ltd.
Printed in the uk
- Barcode (Text): 0 94632 60332 6
- Barcode (Scanned): 094632603326
- Matrix / Runout ( = Figure): 326033 2 2
- Phonographic Copyright (p) – Chrysalis Records Ltd.
- Copyright (c) – Chrysalis Records Ltd.
- Manufactured By – EMI Music Group Australasia
- Distributed By – EMI Music Group Australia
- Recorded At – Shakedown Sound Studios
- Mixed At – Shakedown Sound Studios
- Recorded At – Red Night Studios
- Recorded At – Electric Lady Studios
- Mixed At – Giant Recording Studios
- Recorded At – Buffalo Music
- Mixed At – Buffalo Music
- Recorded At – Revolution Studios
- Mixed At – Revolution Studios
- Recorded At – Eel Pie Studios
- Mixed At – Eel Pie Studios
- Recorded At – Maison Rouge
- Recorded At – Image Recording Studios
- Mixed At – Image Recording Studios
- Recorded At – Soundtrack Studios
- Recorded At – Air Studios
- Mixed At – The Town House
- Mastered At – The Town House
- Pressed By – EMI Swindon
Debravation - Deborah Harry. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Debravation is the fourth solo album by American singer Deborah Harry, released in 1993. It was the final album Harry made whilst signed to the Chrysalis label, thus ending a successful partnership that began with her time as a member of Blondie and had endured for over 15 years. The album reached No. 24 in the UK Albums Chart. The US version of the album contains two additional tracks, including My Last Date With You, which features instrumental backing from . Listen free to Deborah Harry Debravation I Can See Clearly, Stability and more. 12 tracks 53:47. Debbie Harry. Pop Name Deborah Harry. Album Name Debravation. Type Album. Released date 1993. Labels Chrysalis Records. Music StylePop Rock. Members owning this album4. I Can See Clearly. Other productions from Deborah Harry. Necessary Evil. Deborah Harry Collection is a compilation album of recordings by Deborah Harry, released by Dutch budget price label Disky Communications in 1998. Deborah Harry Collection was re-issued with new artwork by EMI's mid-price label EMI Gold under the title French Kissin' - The Collection in 2004. French Kissin' in the USA Lorre - 5:14. From 1986 album Rockbird. Surrender Edwards, Rodgers - 3:37. From 1981 album KooKoo. Inner City Spillover Harry, Stein - 4:59. Deborah Harry Debravation. Genere: Electronic , Rock , Pop. Stile: Pop Rock , Synth-pop. Anno: 1993. Deborah Harry. Debravation CD, Album. Sire , Reprise Records. Vendi questa versione. 0 94632 60332 6, cdchr6033. Debbie Harry - Debravation 1993. To favorites 0 Download album. Listen album. Songs in album Debbie Harry - Debravation 1993. Debbie Harry - I Can See Clearly. Debbie Harry - Stability. Debbie Harry - Strike Me Pink. Debbie Harry - Rain. Debbie Harry - Communion. Recording with several star musicians, including members of . Deborah Harry returns to a more rock-oriented approach on Debravation. Although the band is tight and Harry is in fine voice, the album suffers from weak material. Track Listing. Debravation deprivation the title should give you a clue as to the sense of humour and brilliance that Deborah Harry as an artist carries. This album for whatever reason was not taken well by most fans. The record company Sire records, who was Madonna's label under promoted and advertised this album as they probably didn't know how to market it. In a nut shell I'd say it's a very adult contemporary modern album with light appartment jazz influences and dance fare. Far from the power pop that was Blondie this album still shines through the many collaborations